A formal ecclesiastical testimonial issued to Lazaros on the letterhead of the Holy Metropolis of Smyrna — operating in exile in Athens:
ΙΕΡΑ ΜΗΤΡΟΠΟΛΙΣ ΣΜΥΡΝΗΣ / ΤΟΠΟΤΗΡΗΤΕΙΑ
Paparrigopoulou Street No. 15, Athens (opposite the Ministry of the Navy)
The See of Smyrna had been institutionally destroyed in the September 1922 Asia Minor catastrophe. Metropolitan Chrysostomos of Smyrna had been martyred by Turkish forces; the city’s Greek population was killed or expelled. By March 1924 — eighteen months after the catastrophe — the Metropolitan See was operating in exile in Athens under a Locum Tenens (Τοποτηρητής), the canonical caretaker title for someone holding episcopal authority when no residential bishop is in place.
Dated March 13, 1924, Athens — just five days before the SS Themistocles departure from Piraeus that brought Lazaros and his family to New York. The body:
“It is certified that the bearer of the present, His Honor Mr. Lazaros Yannopoulos, Physician from Soma of Asia Minor, was always distinguished for his national and philhellenic action in Asia Minor, having been persecuted and exiled many times by the Turks and having made innumerable material and moral sacrifices, and most recently during the Asia Minor Catastrophe lost all of his great property. For which the present is provided, to serve wherever needed.”
In Athens, March 13, 1924. The Locum Tenens of the Holy Metropolis of Smyrna.
The testimonial is one of two senior ecclesiastical attestations Lazaros gathered in his final twelve days in Greece — paired with a parallel declaration signed the day before by the Protosynkellos of the Diocese of Ephesus on behalf of the Vryoula Refugees Association. Together they constitute vouching from the two most senior ecclesiastical authorities of the western Anatolian Greek exile world — the Metropolis of Smyrna and the Diocese of Ephesus, both in 1924 operating from Athens after the destruction of their physical sees.
The archive holds two scans of this testimonial. Page 1 is a clean reproduction; page 2 is the original with penciled archival/conservation annotations (“6 1/2 with mounting”) — suggesting the original was at one time framed for display.